What an interesting album and what a great cross-sectional study of George Benson's evolution from young R&B based jazz-guitarist to easy jazz-pop phenomenom. Recording quality is generally good, except for 1-2 live songs. The listener can obviously take their pick which they prefer, but there's no denying that while George is best known for his Breezin and other albums from the 80's, he had a real eclectic body of work behind him that established him as a jazz leader. If you're one of those types who cry, "Hey he sold out", I'd counter that he brought the best of jazz to the pop world. The songs Breezin' and On Broadway are loads of fun, simply because they are well written and polished performances.

Cypress Hill were notable for being the first Latino hip-hop superstars, but they became notorious for their endorsement of marijuana, which actually isn't a trivial thing. Not only did the group campaign for its legalization, but their slow, rolling bass-and-drum loops pioneered a new, stoned funk that became extraordinary influential in '90s hip-hop — it could be heard in everything from Dr. Dre's G-funk to the chilly layers of English trip-hop. DJ Muggs crafted the sound, and B Real, with his pinched, nasal voice, was responsible for the rhetoric that made them famous. The pro-pot position became a little ridiculous over time, but there was no denying that the actual music had a strange, eerie power, particularly on the band's first two albums. Although B Real remained an effective lyricist and Muggs' musical skills did not diminish, the group's third album, Temples of Boom, was perceived by many critics as self-parodic, and the group appeared to disintegrate shortly afterward, though Muggs and B Real regrouped toward the end of the '90s to issue more material.

Artist: VA
Title: Real Retro House Classix Top 100 Volume 4
Date of Realise: 2011
Genre: House
Total Tracks: 100
Format: MP3
Quality: VBRkbps / 44,1kHz / joint-stereo
Total Time: 396:20 Min
Size: 701,9 MB