Artist: Alice Deejay
Title: Better Off Alone (Laidback Luke Remix) [2011, FLAC]
Date of Realise: 2011
Genre: Trance, Electro
Total Tracks: 05
Format: FLAC
Quality: lossless
Total Time: 21:30
Size: 156 MB

Sanctuary's mammoth triple-disc Pentangle overview poses a bit of a dilemma. First of all, it's called Pentangling, which is already the name of a 1973 compilation, and secondly, while not deliberately misleading, it focuses more attention on the solo careers of John Renbourn and Bert Jansch than it does on the entity that supplies the collection's title. Despite these petty gripes, Pentangling is filled to the brim with some of the finest recordings the British folk movement had to offer, and hearing the group as a whole, followed by an entire disc -- one apiece -- of two of the genre's most gifted guitarists, is rewarding in more ways than one: both men, as well as the band, released material well into the 21st century, but Pentangling focuses only on their treasured late-'60s/early-'70s output. Listeners looking for a more comprehensive take on Pentangle would be better off with Castle's excellent Light Flight: The Anthology, and Renbourn and Jansch both have lovingly packaged retrospectives that fare better than the ones offered here, but as far as entry points go, Pentangling does more than skim the surface.

Basically, what you see is what you get: all of the recordings Stan Getz did for the Norgran and Clef between December of 1952 and January of 1955. Most of this material has been issued several times -- at least -- by numerous labels legally and illegally. What makes the Hip-O Select set the definitive issue is, besides proper licensing, that all of these cuts, the 10" albums -- Stan Getz Plays, The Artistry of Stan Getz, all three Interpretations volumes, and Stan Getz & the Cool Sounds -- along with all the single and EP releases for a total of 45 sides -- three of them previously unreleased -- and a pair of studio cuts that appeared on the otherwise live Stan Getz at the Shrine appear in chronological order. The vast majority of these sessions were recorded with quintets. The membership of these Getz bands featured Bob Brookmeyer on all but the last where he is replaced by Tony Fruscella, pianist John Williams (though Duke Jordan appears on the earliest of these tracks with guitarist Jimmy Raney), bassist Teddy Kotick and drummer Frank Isola. Six performances were recorded by a quartet that included pianist Jimmy Rowles, drummer Max Roach, and bassist Bob Whitlock. Two of them, alternate takes of "I Hadn't Anyone 'Til You," and "Nobody But You" are previously unissued. The other unreleased cut is an alternate take of "It Don't Mean Thing," recorded with the quintet during August of 1953. The liner notes by Ashley Khan offer a typically excellent historical titime linef the sessions and the relationship between Norman Granz and Getz during during a fruitful but chaotic period in the saxophonist's life personally and professionally, without editorializing. They also include a painstaking sessionography, photographs of single labels, and album covers with the three discs presented in heavy cardboard adorned with original cover art; all of it housed handsomely in a slipcase. The remastered sound is warm and full; exponentially better than it appears anywhere else. For real Getz collectors, the set is a necessity. ~ AllMusic