Ianuaria, born in 1981 in Austria, is a dj since 1996 and is producing his own music since 2002.
He started his musical career at the age of 6. As a drummer he visited the music school for eleven years and played in various kinds of ensembles.
In the 90's he started off as a DJ. He bought his first psytrance record and directly fell in love with this kind of music. He became familiar with the scene and several years ago, he and some friends started organizing parties for their own association 'Klangbewusstsein'.
Producing his own music has always been a dream for Ianuaria. After deejaying for many years, he started producing psychedelic trance in 2002. After spinning around Ianuaria is in great demand and one of the most successful producers in Austria.

Nearly as much as Metallica or Megadeth, Anthrax were responsible for the emergence of speed and thrash metal. Combining the speed and fury of hardcore punk with the prominent guitars and vocals of heavy metal, they helped create a new subgenre of heavy metal on their early albums. Original guitarists Scott Ian and Dan Spitz were a formidable pair, spitting out lightning-fast riffs and solos that never seemed masturbatory. Unlike Metallica or Megadeth, they had the good sense to temper their often serious music with a healthy dose of humor and realism. After their first album, Fistful of Metal, singer Joey Belladonna and bassist Frank Bello joined the lineup. Belladonna helped take the band farther away from conventional metal cliches, and over the next five albums (with the exception of 1988's State of Euphoria, where the band sounded like it was in a creative straitjacket), Anthrax arguably became the leaders of speed metal. As the '80s became the '90s, they also began to increase their experiments with hip-hop, culminating in a tour with Public Enemy in 1991 and a joint re-recording of PE's classic "Bring the Noise."

These are the roots of my career in music. These tracks have determined the path to follow and many of them where revolutionary and truly progressive at the time they where originally released. I have taken the greatest care to come up with the best possible masters, sometimes comparing up to 5 different versions to find out which one sounded the best and most pure. And sometimes even baking the analog master tapes to make them playable again. The heat evaporates the moisture in the coating of the tape. The otherwise moist backing will clog up all parts of the tape recorder the tape touches, leaving a dark glue like substance grinding everything to a halt. After the backing process, the tape becomes playable again and the transfer to digital is performed. Some tracks feature a combination of vocal and dub version just as I used to perform that combination in a live DJ-set. Such a combination features the best parts from the vocal and dub version, capturing the complete feel of what that track meant to me.

12" dance collectors rejoice. Ben Liebrand has assembled a 3rd volume loaded with full length mixes, tediously mastered (some from vinyl because he couldn't find the original masters, but you really can't tell). Personally, 2 songs that make it extremely worth the price for this 4 disc set for me are the Giorgio Moroder productions: Suzi Lane, and the 12" version of Janis Ian from the Foxes soundtrack. There are also NUMEROUS hard to get 12" versions finally here on CD. Still so many more elusive mixes for Liebrand to include on future volumes, and I hope he'll take note of the request list on his website.

Artist: Gary Moore
Title: After Hours (2008)
Date of Realise: 2008
Genre: Blues Rock
Total Tracks: 16 image +. Cue
Format: APE (*. ape)
Quality: lossless
Total Time: 1:11:06
Size: 629 MB

Artist: Automatic Tasty
Title: Life After Debt
Date of Realise: 2011
Genre: Electro, IDM, Acid Dance
Total Tracks: 13
Format: mp3
Quality: 320 kbps
Total Time: 46:40 min
Size: 106 mb

Artist: VA
Title: After Hours Compilation Vol.2
Date of Realise: 2011
Genre: House
Total Tracks: 12
Format: Mp3
Quality: 320 kbps / 44100Hz / Joint Stereo
Size: 197 mb